Disney, Pixar, and the Hidden Messages of Children's Films
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Disney, Pixar, and the Hidden Messages of Children's Films
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Review
"Booker (English, U. of Arkansas, Fayetteville) examines dozens of films from Disney, Pixar, DreamWorks, and other studios, from Snow White and the Seven Dwarfs (1937) to Up (2009), in an analysis of the underlying political and cultural messages of children's films. Contrary to claims that some children's films teach anti-American ideas, he finds that the vast majority tend to support mainstream American values, such as individualism, family, and capitalism. The text contains an alphabetical list of all films cited in the text, including the name of the film, the director, and year of release."
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Reference & Research Book News
Book Description
Does Disney's Aladdin promote prejudice against Arabs? Is The Lion King fascist? Is Wall-E's critique of consumer culture anticapitalist, and thus anti-American? We know the overt messages of most children's films: listen to your parents, be yourself, work together. But are there subtler political messages being transmitted—deliberately or inadvertently—to young viewers?

22/07/2010
I had enjoyed the author's treatments of science fiction television programs (Science Fiction Television, ISBN: 978-0275981648) and his later book about sci-fi films (Alternate Americas: Science Fiction Film and American Culture, ISBN: 978-0275983956) but I have to sadly say that I didn't enjoy this trip through kid-and-family-friendly animated feature films anywhere near as much.
I think a large part of my dissatisfaction is that I know many of these animated films intimately, through repeated watchings. I have very strong opinions on them myself, and I was hoping the book would go into detail about themes or idealogies which could be seen in these films. I wanted details of his interpretations and his reasoning based on history, culture, and the films themselves, so that I could (when I watch the films yet again) make my own judgements about his conclusions.
The format of the book places very little emphasis on deep meanings in any one film. Instead, it almost acts like a summary guidebook to all of the animated films from the major production houses in the past few decades.
While I applaud the author for wishing to be inclusive and all-encompassing, the title of the book (and additionally, his earlier work with the science fiction genre) led me to expect a book with more depth.
What I found instead was a book with wonderful breadth, and if you are a film or animation student looking for short sound-bite-quality impressions of every single animated film ever, this is the perfect book for you.
I, sadly, wanted something with a bit more meat on it's bones.
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