Review

“This is a spectacular volume, breaking new ground in the construction of form as well as in feminist storytelling and analysis. Based on interviews, research, and fictionalization, it is neither journalism, nor scholarly tract, nor fiction, but a combination of all three that is something larger still. . . . This book is a work of art.”—Ellen G. Friedman, The College of New Jersey

“Maps is a study of the production of knowledge with a daring narrative vision. An intricate weave of spellbinding stories, it is an aural work: through the sound of the embodied voices of the author and her interview subjects the text comes to life and realizes its full power. By exploring novel reading practices that engage the performative possibilities inherent in this work, readers will discover Maps’ sensuousness and subtle brilliance.”—The Women’s Review of Books

“Mazali, who some of us know as a relentless peace activist and co-founder of “New Profile,” the Movement for the Civil-ization of Israeli society, and whose emails many of us have been reading during the 2001-2002 Intifada as she remains unflinching in her convictions regarding draft refusal and just peace, describes herself laconically on the back cover as an “Israeli writer.” However, much more than merely “a writer,” or merely a “peace activist,” even more than the courageous, subversive critic of the Israeli war machine, Mazali, as becomes obvious from this book, is a leading feminist scholar.”—Ronit Lentin, Journal of Israeli History

“What is strikingly original about Maps of Women’s Goings and Stayings is its integration of fiction, scholarly research, and ethnographic interviewing.”—Review of Contemporary Fiction

From the Inside Flap

This book writes itself off the guide map of familiar literary forms and melts down conceptual barriers, offering a new kind of reading and thinking experience as it tells the life and travel stories of fascinating women and examines women’s physical mobility in a culture of gendered, postcolonial space that restricts their movement. Straddling the divide between fiction and scholarship, it combines fictional narrative, contemplation, theoretical thinking, scholarly discussion, and interviews. The book examines and crosses boundaries on various ontological levels—between genders, languages, historical epochs, and literary genres—as it questions reality, identity, knowledge, culture, truth, and mind.
While openly confronting the author’s location in Israel, the book looks at women’s ability to take themselves from place to place, viewing space and spatial freedom as deeply gendered in modern Western cultures. From this perspective, “home” is imagined as a protective holding space for one gender, and girls are systematically deskilled for spatial competence. The author tells of women whose lives embody a powerful project of travel, realizing exceptional degrees of independence, and also tells of women who refrain from driving, a major contemporary tool of autonomous movement.
The book imagines a movement-nurturing space that subverts the confining construct of home. From this nonexistent yet tangibly welcoming home space, the “glass corridors” of home—analogous to the “glass ceiling” of professional life—can be brought into full view and denaturalized. This cannot be accomplished, however, without a compelling, painful look at the patriarchal, colonial, and militarized structures underpinning all Western travel, women’s emancipatory journeys included—a look influenced by the still-colonial structure of the author’s Israeli placement.